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Walpole Footlighters Announce Auditions for "Calendar Girls"

12/29/2019

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The Walpole Footlighters are pleased to announce open auditions for Calendar Girls by Tim Firth, based on the Miramax motion picture by Juliette Towhidi and Tim Firth, on Tuesday, January 21 at 7:00 pm at the Footlighters Playhouse, 2 Scout Rd, East Walpole, MA. If you can’t make the auditions on January 21, please contact the director at [email protected] to make other arrangements. Callbacks, if needed, will be held Sunday, February 9 at 7:00 pm. The script calls for 10 women, apparent ages 20 to 70, and 4 men, apparent ages 20 to 50. The production will be directed by Marianne Phinney.
Performance dates are May 1, 2, 3, 8, 9, 15, 16, 17. Rehearsals will begin on February 11 and will be on Sunday, Tuesday, and Thursday evenings.  This is a non-union production and there is no pay for actors.

Actors cast in the six leading roles must be willing to pose nude but will be concealed by a variety of props – cinnamon buns, flowers, balls of wool on knitting needles, and fruit. The audience will never see any “naughty bits.”

Auditions are by appointment and will consist of readings from the script. Sign up for a time slot at https://www.theaterforms.com/walpolefootlighters/calendargirls/auditionform/. Upload your resume and headshot when you sign up or bring copies to your audition.

Summary:
When Annie’s husband John dies of leukemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They manage to persuade four fellow Women’s Institute members to pose nude with them for an “alternative” calendar, with a little help from hospital porter and amateur photographer Lawrence. The news of the women’s charitable venture spreads like wildfire, and hordes of press soon descend on their small village. The calendar is a success, but Chris and Annie’s friendship is put to the test under the strain of their new-found fame. Calendar Girls is based on a true story.

Characters:
CHRIS - 50s. You want Chris at your party. She will talk to people she doesn’t know, find things to say to all silences and generate laughter. Part of this is because Chris is at home in crowds, holding court, being the centre of attention. Without Chris in her life, Annie would be better behaved, her life less fun. The two of them are like naughty schoolgirls. Poses for the nude calendar.
ANNIE - 50s. Annie will join in mischief but is at heart more conformist and less confrontational than Chris. After Chris has put a waiter’s back up in the restaurant, Annie will go in and pour calm. The mischievousness Chris elicits saves Annie from being a saint. She has enough edge to be interesting, and enough salt not to be too sweet. Poses for the nude calendar.
CORA - around 40. Cora’s past is the most eclectic, her horizons broadened by having gone to college. This caused a tectonic shift with her more parochial parents. She came back to them pregnant and tail-between-legs, but Cora has too much native resilience to be downtrodden. She is the joker in the pack, but never plays the fool. Her wit is deadpan. It raises laughter in others, but rarely in herself. Cora must be able to sing well enough to start the show with “Jerusalem” and sing the snatches of other songs required. If the actor can play basic chords on the piano, so much the better. Poses for the nude calendar.
JESSIE - late 60s/70s. Get on the right side of Jessie as a teacher and she’ll be the teacher you remember for life. Get on the wrong side and you will regret every waking hour. A lover of life, Jessie doesn’t bother with cosmetics — her elixir of life is bravery. Jessie goes on rollercoasters. Jessie bothers about grammar and will correct stallholders regarding their abuse of the apostrophe “s”. Poses for the nude calendar.
CELIA - age anything 35-50. The fact that Celia is in the WI is the greatest justification of its existence. A woman more at home in a department store than a church hall, she may be slightly younger than Chris or the same age, but she always feels like she’s drifted in from another world. Which she has. She is particularly enamoured of Jessie, and despite the fact Jessie has very little time for most Celias of this world, there is a rebelliousness in Celia to which Jessie responds. It’s what sets Celia apart from the vapid materialism of her peer group and made her defect. Poses for the nude calendar.
RUTH - 40s. Ruth’s journey is from the false self-confidence of the emotionally abused to the genuine self confidence of the woman happy in her own skin. Ruth is eager to please but not a rag doll, and despite being Marie’s right-hand woman she is desperate to be the cartilage in the spine of the WI and keep everyone happy. She has spine herself — if she was too wet, no-one would want her around. But they do, and they feel protective of her because they sense there is something better in Ruth than her life is letting out. They are proved right. Poses for the nude calendar.
MARIE - 50s. Marie has gradually built the current ‘Marie’ around herself over the years as a defence mechanism. She went to her Oz, Cheshire, and found Oz didn’t want her. She came back scorched. The WI is a trophy to her, which justifies her entire existence. There is a lingering part of Marie that would love to be on that calendar.
BRENDA HULSE – 40s - 60s. Brenda is a dull speaker who goes to various Women’s Institutes to give lectures, accompanied by slides, on topics like “The History of the Tea Towel.” Her topic this time is “Broccoli.” Brenda may be played by the same actor as Lady Cravenshire.
LADY CRAVENSHIRE - 60s. Lady Cravenshire really doesn’t mean to be so patronizing. But the WI girls seem from another world. The world of her estate workers. When she makes an entrance, she must make an entrance. She must glide in like a galleon.
ELAINE - 20s. Elaine really doesn’t mean to be so patronizing. But Jessie seems from another world. The world of her gran. Her clinical whites slice through like a knife. You feel you could cut yourself on that dress.
JOHN - 50s. John is a human sunflower. Not a saint. Not a hero. Just the kind of man you’d want in your car when crossing America. When he dies it feels like someone somewhere turned a light off.
ROD - Chris's husband, 50s. You have to be a certain kind of guy to stick with Chris and Rod loves it. He can give back what he gets, and has a deadpan humour which has always made Chris laugh. He drinks a lot but never so much as to have a problem. He would work every hour to make his shop a success. And John was his mate, even though the relationship was originally channelled through their wives.
LAWRENCE - late 20s. Hesitant without being nerdy, Lawrence is a shy young man with enough wit to make a joke and enough spirit to turn up at the WI hall in the first place. When he arranges the shots he is close to female nudity but sees only the photo. May be played by the same actor as Liam.
LIAM - late 20s. Liam would like to be directing other things than photoshoots for washing powders. He’s not so unprofessional as to let it show, but we can sense a slight weariness at having to deal with these women. There’s a resigned patience to his actions and each smile he makes we feel is professional. For Liam, this photoshoot is a job. And not the job he wanted. 
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Playhouse: 2 Scout Rd, East Walpole, MA
Mail: PO Box 189, Walpole, MA 02081
Box Office: 508-668-8446
Copyright © The Walpole Footlighters
  • Home
  • Plan Your Visit
    • Snow Policy
  • About Us
    • Calendar
    • Auditions >
      • Information for Cast and Crew
      • Audition Tips
      • Children's Theatre
    • Past Productions >
      • Walpole Footlighters 2023-2024 SEASON
      • Walpole Footlighters 2022-2023 Season
      • Walpole Footlighters 2021-2022 Season
      • Walpole Footlighters 2020-2021 Season
      • Walpole Footlighters 2019-2020 Season
      • Walpole Footlighters 2018-2019 Season
      • Walpole Footlighters 2017-2018 Season >
        • Savannah Slide Show
        • Radium Girls Slide Show
        • Lucky Stiff Slide Show
      • Walpole Footlighters 2016-2017 Season >
        • Great American Trailer Park Slideshow
      • Walpole Footlighters 2015-2016 Season >
        • Charlie Brown Slide show
      • Walpole Footlighters 2014-2015 Season
      • Walpole Footlighters 2013-2014 Season
      • Walpole Footlighters 2012-2013 Season
      • Walpole Footlighters 2011-2012 Season
      • Walpole Footlighters 2010-2011 Season
      • Walpole Footlighters 2009-2010 Season
      • Walpole Footlighters 2008-2009
      • Walpole Footlighters 2007-2008 Season
      • Walpole Footlighters 2006-2007 Season
      • Walpole Footlighters 2005-2006 Season
      • Walpole Footlighters 2004-2005 Season
      • Walpole Footlighters 2003-2004 Season
    • COVID-19 Protocols
    • Harassment Policy
    • History >
      • 90th Anniversary Slide Show
    • Accessibility and Inclusion >
      • The Cake
  • Tickets
    • FAQ for Subscribers
    • Ticket Exchanges
    • Playhouse Seating Chart
    • Card to Culture
  • Members
    • Members Handbook
    • Member Mingle
    • Production Schedule Checklist
    • Program Book Checklist
    • Tax Laws
    • Board of Directors
    • Play Selection Committee
    • Board of Directors Job Descriptions >
      • President
      • Vice-President
      • Secretary
      • Treasurer
      • Public Relations Manager
      • Facilities Manager
      • Publications Manager
      • Member at Large
      • Social Media Manager
      • Play Selection Committee Chair
      • Box Office Manager
      • Subscriptions Manager
    • Walpole Footlighters Bylaws
  • Support Us
    • Backers Program >
      • Walpole Footlighters 2024-2025 Backers
      • Walpole Footlighters 2023-2024 Backers
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      • Walpole Footlighters 2019-2020 Backers
      • Walpole Footlighters 2018-2019 Backers
      • Walpole Footlighters 2017-2018 Backers
      • Walpole Footlighters 2015-2016 Backers
    • Advertise with Us
    • Volunteer and Learn >
      • Usher Guidelines
  • ​Kathleen R. Hardigan Memorial Scholarship
    • 2024 Scholarship - Alexandra Richardson
    • 2023 Scholarship - Rishabh Nevatia
    • 2022 Scholarship - Sophia Goodsell
    • 2021 Scholarship - Mahoney Cyr
    • 2021 Scholarship - Brenna Hughes
    • 2021 Scholarship - Cate Lightbody
    • 2018 Scholarship - Riley Mulroy
    • 2017 Scholarship - Mia Straccia
    • 2016 Scholarship - Bridget Connell
    • 2015 Scholarship - Marc Sheehan
    • 2014 Scholarship - Michael McKeon
  • Dan Sheehan Lifetime Achievement Award
  • In Memoriam
    • Bill Bowen 1952-2024
    • Rosemary Mitchell 1944 - 2022
    • Kathleen Hardigan 1970 - 2022
    • Marge Scholz 1930 - 2021
    • Bruce Hainsworth 1923 - 2020
    • Rich Morton 1948 - 2019
    • Gene Guidi 1937 - 2019
    • Parker Chick 1932 - 2018
    • Barbara Pettis 1936 - 2017
    • Roger Pettis 1939 - 2016
    • Rita Rosano 1931 - 2016
    • Ceil Koziol 1922 - 2012
    • Joseph P. Scholz 1926 - 2008
    • Tom Svingen 1935 - 2006
    • Ed Kanter 1931 - 2004
    • Harry Harding 1904 - 2002
    • Sam Greiff 1921 - 2002
    • Sue Bennett Fielding 1928 - 2001
    • Eleanor "Soosie" Harding 1906 - 1999
    • Angelo "Beebe" DeFlaminis 1916 - 1998
    • John F. Ryan, Ph.D 1908-1982
    • John Goss 1887-1963
  • Walpole Footlighters Privacy Policy